The Odes of Solomon are a collection of hymns generally veiled and relatively neglected by those studying early Christianity. Yet this “Earliest Christian Hymnbook”  contains numerous insights into how first and second century followers of Jesus conceived of such important matters as worship, scripture, and interpretation. Here, I investigate one of the many facets of this ancient Christian text, namely, the relationship between the Odes of Solomon and Gospel of John.
Comparison of these two texts is not without precedent. As far back as J. Rendel Harris’s original publication of the Odes in 1909, scholars have consistently noted that, “The Odes and John share numerous, striking, and often unique expressions.” No less a figure than Adolph von Harnack believed that the Odes predated the Fourth Gospel and influenced its author. More recent scholarship, such as the works of James H. Charlesworth and Robert M. Grant, has suggested a relationship of “common milieu” between the Odes and John’s Gospel. Unfortunately, this methodology of milieu largely neglects the insights garnered by those studying other Christian writings of the post-Apostolic period, especially those findings which are useful for understanding instances of literary dependence. To address this lacuna, there are two major emphases of this project: an examination of the methodology used by those studying the Odes of Solomon and consideration of the direct relationship between the Odes and John’s Gospel. In accordance with this dual focus, I argue that by reevaluating the contextual methodology surrounding literary citation, genre, linguistic difference, geography, and purpose in writing, we may discover the telltale signs of literary dependence which exist between the Odes and John’s Gospel.
After considering the background of the Odes and the various perspectives which scholars such as Charlesworth and Michael Lattke have taken on these hymns’ relationship to the Gospel of John, this study turns to consideration of some problems with the methodological assumptions of contemporary scholarship on the Odes, offering a reevaluation of several important principles for understanding and determining literary dependence in the ancient world. Next, this project analyzes the relationship between Odes of Solomon and John’s Gospel, paying special attention to Ode 3’s connections with the Upper Room Discourses of John’s Gospel. In the end, the application of reassessed methodological criteria indicates that minimalist perspectives regarding the literary relationship between the Odes of Solomon and Gospel of John are no longer preferable.
 Term taken from James H. Charlesworth, The Earliest Christian Hymnbook: The Odes of Solomon (Eugene, OR: Cascade Publishers, 2009).
 J. Rendel Harris, An Early Christian Psalter (London: James Nesbit, 1909). For a survey on the early reception of the Odes, see James H. Charlesworth, Critical Reflections on the Odes of Solomon: Volume One: Literary Setting, Textual Studies, Gnosticism, the Dead Sea Scrolls and the Gospel of John (JSPSup 22; Sheffield: Sheffield Academic, 1998), 21. James H. Charlesworth and R. Alan Culpepper, “The Odes of Solomon and the Gospel of John”, Catholic Biblical Quarterly 35, 3 (1973): 300.
 Adolph Harnack and John Flemming, Ein Jüdisch-Christliches Psalmbuch aus dem ersten Jahrhundert (Leipzig: J.C. Hinrichs, 1910).
 Charlesworth, Reflections, 255-7. Robert M. Grant, “The Odes of Solomon and the Church of Antioch,” JBL 63, 4 (1944): 368.
 For a discussion of such insights, see Andrew F. Gregory and Christopher Tuckett, “Reflections on Method: What constitutes the Use of the Writings that later formed the New Testament in the Apostolic Fathers?,” in The Reception of the New Testament in the Apostolic Fathers, (ed. Andrew F. Gregory and Christopher M. Tuckett; Oxford: Oxford University Press, 2005), 61-82, and Jacob J. Prahlow, Discerning Witnesses: First and Second Century Textual Studies in Early Christian Authority (Wake Forest University, 2014), 1-16.
 Of course, these emphases are closely connected, for without a contextualized methodology one cannot properly understand the relationship between the Odes and Fourth Gospel