Spectrums of Scripture: Conclusions

This post is part of an ongoing series formulating a methodology for tracking and understanding the variety of ways in which early Christians received and utilized Scripture.

Open BibleThis series has sought to begin developing a common methodological language for discussing ancient textual borrowing. Building from blocks of common concerns within the subfields of the study of late antiquity, I have outlined a methodological framework for approaching ancient literary citations and for offering arguments about what these uses indicate. My central contention has held that a composite methodology for understanding uses of one ancient source in another requires considerations of the verbal, thematic, and authoritative schemata through which ancient authors viewed and redeployed the sources available to them. In constructing the method, I have employed a “three dimension Cartesian coordinate system.” In this system the verbal correspondence axis has outlined a range from quotation to echo. The thematic correspondence axis considered thematic uses from explication to echo. And the third axis examined authoritative correspondences from formal quotations to unknown uses. Continue reading

Spectrums of Scripture: Stream of Thought

This post is part of an ongoing series formulating a methodology for tracking and understanding the variety of ways in which early Christians received and utilized Scripture.

Clement of Rome

Clement of Rome

The third level of authoritative correspondence includes “stream of thought” and “somewhere” references. These citations cast their source texts as implicitly authoritative: not so important that they bear explicit mention but important enough to creatively insert into the discussion at hand.[1] Many times use of a particular text will occur in a stream of thought, a series of references to the argument of a source text but without clear indication of that text.[2] David Downs has demonstrated such a use of Romans 5-6 in 1 Clement 32-33, which expands upon Paul’s teaching on justification through repeated return to the language and authority of Romans.[3] Such references often appear in slightly modified form, since it is the meaning of the text rather than its explicit authority to which an author appeals.[4] Finally, there is the ever enjoyable που reference, where an author offers a citation located “somewhere” but without knowledge (or care) from whence it came. 1 Clement 28:2-3 employs this formula, saying “For the Scripture somewhere says, ‘Where will I go and where will I hide from your presence?’”[5] Continue reading

Spectrums of Scripture: Formal Authority and Name Dropping

This post is part of an ongoing series formulating a methodology for tracking and understanding the variety of ways in which early Christians received and utilized Scripture.

it-is-writtenWhat then are the various forms of authoritative correspondence? On one end of the authoritative spectrum are formal quotations, commentaries, and translations. Formal quotations denote the highest level of attributed authority within general literary works, while commentaries and translations reveal the importance of a text through sustained treatment of that text.[1] In contrast to scholars who argue that quotation does not indicate what an author thought of the work being quoted or that quotations were surface embellishments,[2] formal quotations consistently carry authoritative weight in arguments.[3] Continue reading

Spectrums of Scripture: Authoritative Correspondence

This post is part of an ongoing series formulating a methodology for tracking and understanding the variety of ways in which early Christians received and utilized Scripture.

The Early Church Fathers

The Early Church Fathers

The authoritative correspondence spectrum constitutes the third and final method of tracking how texts were received by other ancient texts. This spectrum ranges from obviously high attributions of authority to unknown levels of authority. I say “unknown” authority rather than “no” authority because texts which are utilized by others are prima facia accorded some measure of authority.[1] A lack of clear indicators, however, makes the assignment of exactly how much authority difficult to accurately represent. Consideration of authority also raises the issue of functionality, and in large part, an authority correspondence indicates how one text functions in another.[2] On this Christopher Stanley says, “Words are spoken (or written) with the aim of doing something to the hearer(s), that is, evoking some sort of response.”[3] Continue reading

Spectrums of Scripture: Thematic Echoes

This post is part of an ongoing series formulating a methodology for tracking and understanding the variety of ways in which early Christians received and utilized Scripture.

Apostle Paul WritingThe most amorphous and difficult to trace form of thematic correspondence is the thematic echo, where certain words or short phrases used in one text appear in another.[1] These resonances are particularly difficult to place when multiple sources employ the theme or when the text using these echoes employs different themes in close proximity.[2] As an example of multiple possible sources using one theme, consider Romans 10:7, which reads “or ‘Who will descend into the abyss?’”[3] One could argue that here Paul was using Deuteronomy 30:13 (“Who will cross to the other side of the sea for us and get it for us?”),[4] Baruch 3:30 (“Who has gone over the sea, and found her, and will buy her for pure gold?”),[5] or the Wisdom of Ben Sira 24:5 (“Alone I compassed the vault of heaven and traversed the depths of the abyss.”).[6] Continue reading

Spectrums of Scripture: Typology

This post is part of an ongoing series formulating a methodology for tracking and understanding the variety of ways in which early Christians received and utilized Scripture.

1aredsea-crossTypology involves an ancient author’s building upon a specific concept, idea, or symbol found in another text.[1] This is among the most common thematic correspondences, where a writer takes a particular theme and makes it the point of their writing.[2] 1 Clement does this concerning the theme of concord (ὁμόνοια), weaving a range of citations into his discussion. Ancient writers employed a variety of typologies, including literary, theological, and historical themes.[3] Particularly common were Summaries of Israel’s Story, which would often trace a particular theme throughout Israel’s history.[4] Even more widespread were brief mentions of persons and circumstances, drawing thematic connections between an ancient exemplar and the contemporary audiences of a writing.[5] Continue reading

The Resurrection

But on the first day of the week, at early dawn, they went to the tomb, taking the spices they had prepared. And they found the stone rolled away from the tomb, but when they went in they did not find the body of the Lord Jesus. While they were perplexed about this, behold, two men stood by them in dazzling apparel. And as they were frightened and bowed their faces to the ground, the men said to them, “Why do you seek the living among the dead? He is not here, but has risen. Remember how he told you, while he was still in Galilee, that the Son of Man must be delivered into the hands of sinful men and be crucified and on the third day rise.” And they remembered his words, and returning from the tomb they told all these things to the eleven and to all the rest. Now it was Mary Magdalene and Joanna and Mary the mother of James and the other women with them who told these things to the apostles, but these words seemed to them an idle tale, and they did not believe them. But Peter rose and ran to the tomb; stooping and looking in, he saw the linen cloths by themselves; and he went home marveling at what had happened. Continue reading