My previous post introduced Michael Ward’s Planet Narnia: The Seven Heavens in the Imagination of C. S. Lewis, in which he argues that the medieval conception of the Seven Heavens serves as the basis for the seven Chronicles of Narnia, with Lewis using the characteristic ethos of each planetary intelligence as the paradigm for his books. In this post, we turn to an explicit consideration of how the evidence of the Chronicles of Narnia fits Ward’s theory through consideration of The Voyage of the Dawn Treader. We also consider how these stories have been so popular over the past fifty years, and why no one previously mentioned the theme of the Seven Heavens. Continue reading
This article originally appeared at Conciliar Post.