Key for understanding Crossan’s perspective on the historical Jesus is his understanding of Jesus as a Mediterranean Jewish Peasant.[13] In Crossan’s view, this understanding points to Jesus as a religious, social, ideological, and borderline political revolutionary who defied social norms and practiced “a shared egalitarianism of spiritual (healing) and material (eating) resources.”[14] Connecting Jesus with John the Baptist, and a form of Jewish eschatological thinking, Crossan suggests that perhaps the best approach to understanding and interpreting the historical Jesus would be through the lens of an Ancient Mediterranean Jewish Cynic.[15] For Crossan, such an understanding would explain textual traditions of both calls to poverty, social radicalism, commensality, freedom, kingdom language, and talk of followers as royalty.[16] Only with such an understanding, Crossan argues, can we really understand the methods and message of the truly historical Jesus. Continue reading
Imperial Rome
Jesus and Crossan (Part I)
In Jesus: A Revolutionary Biography, scholar John Dominic Crossan presents his reconstruction of the historical Jesus. Citing the fourfold accounts of the canonical gospels as presenting a problem for the Christian tradition when trying to determine the historical narrative of Jesus’ life,[1] Crossan endeavors to make use of historical-critical methodology in determining the true narrative, words, and actions of the historical Jesus. Considering the cross-cultural anthropology, Greco-Roman and Jewish history, and literary and textual considerations of canonical and non-canonical material,[2] Crossan seeks to find accounts that fits the known historical record, cultural expectations, and presents material unique enough to demonstrate the life of Jesus of Nazareth. Crossan operates with a set of presuppositions that some may find difficult to accept, such as his philosophical naturalism on some points. Overall however, Jesus: A Revolutionary Biography presents a narrative of the life of Jesus that, given the materials and criteria used by Crossan, presents a problematic image of the historical Jesus. Continue reading